Record of Swine

彘(zhì)齿录

More-than-human life / Ecology / Food / Belief / Labour / Capital超越人类的生命 / 生态 / 食物 / 信仰 / 劳动 / 资本

01

Solo exhibition / multidisciplinary art project个人展览 / 跨媒介艺术项目

Three Shadows Photography Art Centre, Beijing
Curated by Yeo Meng策展人:孟垚
13 September–3 October 2025

Record of Swine examines meat-eating as both a physical act and a web of ethics, belief, labour, and power. Moving between semi-fictional documentary, photographs, material installations, text, and participation, the project traces the karmic implications of killing in Eastern philosophy alongside the realities of industrial animal husbandry. It asks how the individual animal disappears behind the edible body, and how consumption reorganises the distance between life, commodity, and memory.《彘(zhì)齿录》把食肉同时视为一种身体行为,以及伦理、信仰、劳动与权力交织的网络。项目在半虚构纪录影像、摄影、材料装置、文本与参与之间展开,将东方哲学中的杀生因果与工业畜牧现实并置,追问个体动物如何消失在“可食身体”之后,以及消费如何重组生命、商品与记忆之间的距离。

Moving Image影像

At 3 A.M., Li Fusheng Told Me: “Piggy, I Love You”

《凌晨三点,李福生对我说:小猪,我爱你》

2025
Single-channel colour video with sound单屏彩色有声影像
8 min 19 sec

At 3 A.M., Li Fusheng Told Me: “Piggy, I Love You” / 《凌晨三点,李福生对我说:小猪,我爱你》, 2025

In my grandfather’s mountain village in Hubei, the butcher Li Fusheng lingers in fragments of my childhood memory. Though his face has faded, he returns to my dreams late at night, confessing the burden of killing and an unfulfilled desire for another life. I was the innocent meat-eating child; he was the would-be scholar trapped by an inherited butcher’s knife. The building of the village Taoist temple led his mother, who believed in karmic consequence, to leave home, while Li Fusheng remained caught between blood-rusted blades and the scent of ink, between killing and life. As memory and dream blur together in adulthood, only my enduring attachment to pork remains as the final witness to this entanglement of memory and consequence.在湖北山中的外公家,村里有个屠夫李福生。我对他的长相印象模糊,只能从我和外公儿时的记忆中提取关于他的碎片。可他总在深夜进入我的梦——带着杀孽的忏悔和未竟的爱欲,向我诉说。我是天真食肉的孩子,他是被家传屠刀困住的、想读书的屠夫。村中道观的建立,让相信因果报应的李福生母亲离家出走,而李福生始终在血锈与墨香之间挣扎,在杀与生之间忏悔。我成年后对他的记忆已然不明,梦和记忆混沌一团;唯有我对猪肉的迷恋,成了这场记忆与因果的最后证词。

Film Stills影像截图

Works Within Record of Swine《彘(zhì)齿录》中的作品

Fusheng, Floating Life

福生,浮生

This series functions as an intertextual extension of the moving-image work At 3 A.M., Li Fusheng Told Me: “Piggy, I Love You”. Photographs printed on irregular wooden panels and mixed media depict the Hubei mountain village where the artist’s grandparents and the butcher Li Fusheng once lived. The village temple seen in the film served as a spiritual refuge for marginalised women enduring difficult fates: not a formal religious institution, but a sanctuary blurring folk belief and superstition. Across mountains, temple, meat and flesh, the work meditates on the karmic consequences of killing and on life itself.此系列可看作影像《凌晨三点,李福生对我说:小猪,我爱你》的互文作品。异形木板和综合材料上打印的摄影,是艺术家祖父母及屠夫李福生所生长的湖北山村景观,尤其包括影像中出现的山村道观——它作为村中命运多舛、处于边缘境地的女性们的精神寄托,并非正式的宗教场所,更像是一个模糊了民间信仰和迷信界限的“避难所”。有关杀生的因果、生命的觉悟与沉思,都隐现于群山、庙宇、肉食与肉身之间。

UV photographic print on wood panel, plaster, wig fibres, quartz sand, egg white and pig astragalus

No. 1: 40 × 46 cm; No. 2: 120 × 80 cm; No. 3: 20 × 39 cm

Don’t Go Gentle into That Luxuriance

不要温和地走进那片茂盛

The work begins with soybeans, a core component of pig feed in China. Reliance on imports from the United States connects the Sino–U.S. trade war to feed prices, the pork market and every person who raises, sells or consumes pork. Genetically modified soybeans arranged on a Go board simulate a capturing exercise and metaphorically reflect this international game of strategy. Wax sculptures resembling human organs and animal viscera appear like scarecrows or victims awaiting slaughter, while fragmented duckweed and quartz sand suggest the vulnerability of individual lives within larger political and economic structures. Everything is concealed beneath a seemingly lush field.作品以中国养猪业的核心饲料——大豆为切入点展开叙事。中国猪饲料高度依赖从美国进口的大豆,而中美贸易战引发的豆价上涨,影响了饲料价格、猪肉市场,最终影响到整个产业链中养猪、售猪与消费猪肉的每一个个体。作品以转基因大豆在棋盘上布局,模拟围棋中的“吃子”练习,隐喻这场国际间的博弈。蜡质雕塑既似人体器官,也接近动物内脏;一旁破碎的浮萍与散落的石英砂,暗示个体命运在宏观政治与经济结构中的漂泊与无力。而这一切都被掩藏在一片看似丰茂的田野景观之下。

Clay, plaster, cotton, coffee, wax, faux fur, iron chain, PU wire duct, wig fibres, artificial straw mat, duckweed, soybeans, resin, petri dish, quartz sand, wood, vintage washstand, leather and acrylic

200 × 200 × 120 cm

Last Blood / The Furnace

残血 / 熔炉

Presented as a contrasting pair, Last Blood, after the dissolution and The Furnace, prior to fusion extend the project’s dialogue between moving image and installation. Their material forms evoke residual blood, viscera, scars and a crucible, giving physical presence to the violence of meat production, the butcher’s inner quandaries and the artist’s reconsideration of animal life and death.《残血,在分解之后》与《熔炉,在融合之前》作为一组对照作品呈现,延续了项目中影像与装置之间的对话。作品的物质形态让人联想到残血、内脏、伤疤与熔炉,使肉食生产中的暴力、屠宰者的内心困境,以及艺术家对动物生死的重新体认获得了可感的形式。

A contrasting pair of mixed-media works

Two works, individual dimensions below

Last Blood and The Furnace installed together, Record of Swine, 2025
Installation view, Last Blood, after the dissolution and The Furnace, prior to fusion, Record of Swine, 2025《残血,在分解之后》与《熔炉,在融合之前》整体装置现场,《彘(zhì)齿录》,2025
Last Blood, after the dissolution, 2025
Last Blood, after the dissolution / 《残血,在分解之后》, 2025

Last Blood, after the dissolution

残血,在分解之后

UV photographic print on wood panel, wax, clay, acrylic and resin
36 × 22 × 10 cm (longest side)

The Furnace, prior to fusion, 2025
The Furnace, prior to fusion / 《熔炉,在融合之前》, 2025

The Furnace, prior to fusion

熔炉,在融合之前

UV photographic print on wood panel, wax, clay, acrylic, lace, leather and resin
28 × 16.5 × 15 cm (longest side)

The Manifesto of Pig-ism

猪主义宣言

The text in this work is sourced from the corporate culture guidelines of China’s largest livestock enterprise.作品中的文本原文来自国内最大畜牧企业的文化准则。

Silk, wood and pig-feed bag

200 × 15 × 7 cm

The Ode to X

拜 X 文

Four participants taste four pork dishes and complete an “Ode to the Pig” before, during and after eating, while their dining and writing are recorded on video. The artist removes “pig” and related subjects from the source text, retaining its declarative, slogan-like structure. Participants then project the figures they truly worship or praise into the omissions—“I”, “the poet”, or more abstract responses—reconfiguring the text and revealing subtle relations between belief, selfhood and discourse.作品邀请四位参与者分别品尝四道猪肉菜品,并在进食前、中、后三个时段填写“拜猪文”,用餐与书写行为全程由录像记录。艺术家将文本中“猪”及相关主语词汇删除,只保留宣言式与口号式的行文框架,从而激发填写者在无意识中投射其所“崇拜”或“歌颂”的主体。有人填入“我”,有人写入“诗人”,也有人写下近乎无羁的抽象内容;这些回应重构了文本形态,也折射出信仰、自我与话语之间的微妙关系。

Text on mulberry and hemp paper; video

21 × 36 cm framed, set of 4; video, duration variable

Pink Coordinates

粉色坐标

A photographic work presented as an art print and lightbox.一件以艺术微喷摄影与灯箱形式呈现的摄影作品。

Photography and lightbox

120 × 80 cm

Passing Records

合格档案

An assemblage made from a vintage archive envelope, clay, corrugated cardboard, resin, pig hair, pigskin drum skin and a stamp.一件由老式档案袋、陶泥、瓦楞纸、树脂、猪毛、猪皮鼓皮与印章构成的综合材料作品。

Vintage archive envelope, clay, corrugated cardboard, resin, pig hair, pigskin drum skin and stamp

55 × 40 cm

Loolishly and cheerfully

傻乎乎,乐呵呵

A mixed-media work combining a wood panel and plaster with a vintage slaughter knife, acrylic, oil paint and wax.一件将木板、石膏与老式屠宰刀、丙烯、油画和蜡结合的综合材料作品。

Wood panel, plaster, vintage slaughter knife, acrylic, oil paint and wax

20 × 30 cm

Hoof, Ear, Spine, Eye, Gut

蹄、耳、脊、眼、肠

2025
Poem / Text Work诗歌 / 文本作品

01

Hoof

Hoof, Chinese original text work, 2025

Open a history of walking.

A perpetual-motion machine
keeps striking at my crystallised core.

Inflammation,
wrapped in a soft resilience.

Downward,
a metal plate cancels the echo.

Please, keep going like this:

push me,
pull me,
strike me,

drag me, press me, scald me.

An unknown route
is no different from a chance encounter.

From positive pole to negative,
I swim immersed in anticipation.

I am exhilarated.

Please—
one command after another.

Tomorrow,
I will be your cavalry.

I stretch out my body
while keeping my mind taut.

I drift now and then
but am never absent.

Tomorrow,
I will be your cavalry,

until you break down my collagen
and draw out
my final sinew.

02

Ear

Ear, Chinese original text work, 2025

Only when the pheromones
are trapped inside a double-layered blister

do you cradle a bouquet
and recite the manifesto.

I grow
from the side of a skull.

Whenever an ill-fated wind
passes through grass, trees and rubble,

I secretly weep

behind the rash.

A curve is proliferating there,

somewhere between
chewiness and collapse.

After learning to cast iron,
you place a stethoscope against me.

Now and then,
a magnificent symphony

stirs the crescent-shaped fertile ground.

Inside a bundle of nerves,
a flower opens.

I bend down to listen.

May it not be
a malice gathering force.

I rise upright,

riding a crimson track
towards you.

The conductor raises the baton.

In the distance,
the entire orchestra

sounds for me at once.

03

Spine

Spine, Chinese original text work, 2025

If I wrote you a letter,

asking you
to carve away my fat

and make the hardest part
into a cross;

if I sang you a song,

calling you
to walk upon lunar soil,

to borrow a single breath

and burn away my face;

if I carried sand for you

and accidentally spilled it
over the scarecrow,
the washstand,
the coffin board;

if I turned myself over for you,

I would offer you
the entire hardest length of me.

From collapse
to rising—

that is the distance

from me
to you.

04

Eye

Eye, Chinese original text work, 2025

A cold compress
carries fantasies in rhythm.

Every night,

I struggle against the black,

practising
how to find my bearings in tears.

No matter how
my kind nearby may cry,

I continue to magnify,

unwavering.

Beyond the lattice window,

fine rain

washes out
an enormous mirror.

I glimpse a lotus
and a crystal chandelier.

That alone is enough

to make me willing,
by any means,

to kill myself.

Only forgive my transgression,

and pretend

I never saw.

05

Gut

Gut, Chinese original text work, 2025

Along a track
thick and slick,

tens of thousands of tufts of cotton
pile up,

inviting everyone present
to lie flat

and surrender
to the stickiness.

Sink into
a high-calorie embrace.

Writhe forth
the peace of a new century.

Cut away
the time for deliberation.

Be direct.

Wrap up
gold, silver and honey.

Do not resist
the swelling of a balloon.

Applaud
the salty, warm tide.

Staggering, unsteady,

clutching tight,

vomiting without a word.

Become one
with your own God.

Become God
with the self beside you.

Split apart.

Caught on a hook.

Drag me
through the air.

Taste
the purple-sweet fresh blood.

Embrace one another.

Eat one another.

At three in the morning,

be sure to return
to the first bend.

Leave behind
one sentence:

XX, I love you.

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